Ghost of Paul Revere

GHOST OF PAUL REVERE Music stitches together a strong community around The Ghost of Paul Revere. The Maine trio—Max Davis[vocals, banjo], Sean McCarthy [vocals, bass], and Griffin Sherry [vocals, guitar]—examine life’s ebbs and flows through a distinct and dynamic distillation of folk, bluegrass, rock, and alternative. Since forming in 2011, the band has created a following that has propelled them from a local to a national level, tallying 15 million total independent streams to date. After releasing the EP North in 2012, their signature style progressed over the course of two full-length albums—Believe [2014] and Monarch [2017]—and a pair of EPs—Field Notes, Vol. 1 [2015] and Field Notes, Vol. 2 [2019]. They garnered acclaim from Billboard, Boston Globe, AXS, No Depression, Relix, and The Boot, who appropriately dubbed them, “not quite bluegrass, not quite country, not quite rock ‘n’ roll, but kind of all three combined.” The band has performed alongside The Avett Brothers, Jason Isbell, The Revivalists, Bela Fleck, and The Infamous Stringdusters, sold out countless headlining gigs, and appeared at major festivals nationwide: Newport Folk, Austin City Limits, WinterWonderGrass, BottleRock Napa, Shaky Knees, Okeechobee, and Voodoo Music + Arts Experience. The boys took home “Best in Maine” at the New England Music Awards twice, in 2015 and 2019. In 2019, their song, “Ballad Of The 20th Maine”, became the official State Ballad of Maine aPer being passed unanimously by the Senate and House of Representatives and signed into law by Maine’s Governor, Janet Mills. In 2014, they began curating, booking, and hosting their very own festival, Ghostland. Rooted in a love for Maine’s music community, the festival has grown into one of the state’s largest festivals, drawing local and national talent to the annual Labor Day Weekend event. With more music and touring on the horizon, Ghost of Paul Revere continue to expand this community.     The Ballroom Thieves Incorporating musical styles that range from Motown to classic rock and metal, Unlovely maintains the recognizable, nostalgia-tinged sound of The Ballroom Thieves’ previous outputs while pushing a heightened brashness. Since the release of their first EP and debut full-length, A Wolf in the Doorway, The Ballroom Thieves have consistently and skillfully crossed genres, joining artists like Caamp, Langhorne Slim and Shakey Graves to bridge the gap between folk, rock and soul. With Unlovely, thanks in part to frequent collaborator Ariel Bernstein, the trio took it a step further and grew their instrumental arsenal, amplifying their signature energy and eccentricity. It’s their unique brand of powerful and harmonious music, while never shying away from topics and ideas they are passionate about that has charmed fans around the country. Their catalogue has amassed over 85 million streams and they’ve gained a loyal live following, selling out shows and earning festival spots at Boston Calling, Newport Folk, Moon River, Mountain Jam, and Calgary Folk. Ultimately, Unlovely sets the stage for The Thieves to continue to impact listeners everywhere.